arnaya Post - Issue 12 “KINO-EYE”
阿那亚邮报第12刊
The theme of this issue of the Anaya Mail is the "kinoks/kino-eye" theory of the former Soviet documentary director Dziga Vertov. Film serves as the vessel of time and is a marvel of modern society, allowing people to perceive distant life through lenses and images. The "kinoks" theory in documentaries, respecting objective reality without intervention or processing, appears to have a certain intertextual relationship with the "kinoks" theory, transcending time and cultural backgrounds, as it observes the good and evil of the human world through an eye that does not interfere with what is seen before it.
本期阿那亚邮报的主题为前苏联纪录片导演吉加·维尔托夫的“电影之眼(Kinoks)”理论，电影是时光的载体，更是现代社会的神迹，让人们得以通过镜头和画面去感知遥远的人生；而体察人间善恶的“千里眼”从不对目之所及的事物进行干预和加工，在我们看来，这与纪录片中尊重客观现实的“电影之眼”理论有着某种跨越时空和文化背景的互文关系。
